At a recent gallery forum, a dealer who specializes in illuminated medieval manuscripts addressed concerns about the dominance of mega-galleries. 

Advocates of more historic art forms express that while large galleries often receive the limelight, there is still room for niche dealers who focus on rare and rewarding collections.

 “If by ‘gallery monopoly’ people mean mega-galleries get most of the attention, I understand that concern,” said the dealer. “But the market also demands things like rarity, provenance, and deep scholarship—strengths that smaller galleries bring.” 

They emphasized that their focus on Medieval and Renaissance illuminated manuscripts shields them from market volatility common in the contemporary art world. 

“These pieces are irreplaceable; no one is making new medieval manuscripts,” the dealer explained. “Made on animal skins with gold and lapis pigments, they endure beautifully over centuries. Their value isn’t driven by trends but by their uniqueness and preservation.” 

Asked how their gallery balances exclusivity with public engagement, the dealer said, “We are a small market—only a handful of dealers worldwide are as specialized as we are. But our work attracts both museums and private collectors who recognize the historical and aesthetic worth of these objects.” 

They also noted their outreach in regions like Korea: “We sell to Korean museums, introducing these works to new audiences beyond private collectors.” 

In a market often dominated by high-profile contemporary galleries, this dealer asserts that expertise in rare art forms ensures their continued relevance and resilience. Let me know if you’d like a version adjusted for a specific magazine or with expanded details on particular manuscripts or exhibitions. 

Les Enluminures gallery showcased rare Medieval and Renaissance illuminated manuscripts and miniatures at TEFAF Maastricht. Swann Galleries reported strong demand for illuminated manuscripts, with substantial sale results at auction. 

The Getty Museum’s exhibition A Passion for Collecting Manuscripts emphasizes the institutional importance and public interest in such works.

When asked how their gallery balances historical prestige with supporting new talent, the dealer explained that most of their focus is on what they already deal in: rare, historic works. But they also expressed openness to collaboration and educational activities that help cultivate future collectors.

Despite the concentration of power among mega‑galleries such as Gagosian or Hauser & Wirth, smaller gallery operators say their specific areas of expertise—combined with rarity and quality—continue to protect them from being completely overshadowed.